Greetings to all new and old followers! Or perhaps you are perusing, collecting ideas for your own Regency costume? This blog has a little bit of this and that, but main focus is on Regency fashions, and I try to share my sporadic costume projects. This year I have been involved professionally in staging Jane Austen´s World, a costume exhibition in Skokloster Castle, where I work as curator. Since I happen to have this blog I simply must blog about these familiar – some of them even iconic – film costumes in a series of posts.
We already met the Bennets, the Dashwoods and Emma Woodhouse in the daytime parlour. Read about them here and here. In the second room we step in to the bedchamber. It is a lovely guest room, but we added some furniture and other objects from the collections. The four-poster beds are ca 1800, with printed cotton hangings, British, ca 1830. A dressing table, mirror, wash basins, towels and a bidet were added. This is the intimate sphere, where the young ladies – could be the Dashwood sisters or Jane and Lizzie Bennet – are being dressed. We talk about personal hygiene and how cotton fabric became more accessible around 1800.
This intimate sphere includes other important features in the world of Jane Austen. Writing letters, for example:
Many of these letters are crucial to the plot, and Jane Austen often includes them in her novels. We also wanted to mention one of Austen´s contemporaries, a female author who wasn´t afraid to be published and who had to fight for her beliefs: Mary Wollstonecraft.
This is where we introduce one of the most famous literary characters ever created, Mr. Darcy. He is sitting at his desk writing the long letter to Lizzie Bennet where he reveals Mr. Wickham´s true nature:
But then there is that certain costume that most people associate with Darcy (and Jane Austen adaptations, for that matter): The Shirt.
This phenomenon has been analysed so many times since then, so what else can I add? It is fun to observe our visitors when they see the shirt and decide (if not sooner) that now is the time to take pictures.
Marianne Dashwood is there too, with her letters to that scoundrel Willoughby. Marianne Dashwood´s day gown is exhibited. It was designed by Jenny Beavan and worn by Kate Winslet in several scenes in Sense and Sensibility, 1995. It is a sleeveless silk robe with v-neck collar over a cotton dress. It is easy to miss it on screen, but it is a beautiful gown, with many details. Of course Marianne is the romantic, passionate sister, something that nearly kills her. Her relationship with Willoughby does not end well. It is interesting that both of them ignore propriety in several ways. On one of their outings they visit Willoughby´s estate, unshaperoned. That is enough to ruin a girl´s reputation in Regency society. Marianne seeks up Willoughby at the ball in London, again very unladylike behaviour. Society would frown upon a young lady writing (passionate!) letters to a gentleman to whom she isn´t related. We learn that there never was an engagement.