My goodness, how time flies! Since my return from summering in the country I have practically lived in the castle (work, that is – when day job and costuming meet, you know) preparing for the ball. It took place this past Saturday and I will write about it as soon as the pictures are delivered by the photographer. This one I took the morning after, a torn piece of vintage lace and a lost earring:
On 17 July, I was interviewed by one of the major and very serious radio-shows, trying to explain why I think Jane Austen and her work is more popular than ever, not the least here in Sweden. There probably is a link somewhere but I am not sharing here since it is entirely auf Schwedish. Jane Austen was of course everywhere in British media on that day.
I have more fantastic costumes to share with you, so let us continue with part four. I hope this exposé isn´t beginning to be tiresome. If you are new here or forgot what costumes I am referring to, read earlier posts about the exhibition here, here and here.
Coffee is served and the card table is ready in the drawing room. Enter Anne Elliot. The first costume is her lovely gown in pale yellow silk, as seen on actress Amanda Root in Persuasion (BBC, 1995). She is standing next to her cousin, the heir to Kellynch Hall, William Elliot. A young Samuel West played Elliot. Their first encounter is at Lyme Regis, and Elliot is dressed in the buff overcoat. Later, in Bath, he is often wearing a moss-green tailcoat, striped cotton pantaloons and checked waistcoat. Alexandra Byrne (Elizabeth, Elizabeth: The Golden Age, Finding Neverland) designed the costumes, and actually won the BAFTA TV Award, in competition with Pride and Prejudice (1995). I admit, the costumes are perfection! This adaptation has never been my favourite, but this year I have re-watched it several times and now I really like it, for being so true to the novel. I suppose I appreciate it more now when I am older…
Standing by the tapestry: Emma Woodhouse and Jane Fairfax, from the most recent adaptation of Emma (2009). Rosalind Ebbut designed the costumes. Her ambition was to introduce more colour and texture. Emma is wearing more vibrant colours than we have seen before. Ebbut wanted the ballgowns in shimmering pastels so she layered sheer fabrics, organza and net over silk taffeta. The girls are wearing these frocks to the Crown Inn ball.
Then we return to Pride and Prejudice. Formal wear this time: Elizabeth Bennet´s ballgown, Darcy´s black and white tails, Miss Bingley´s ballgown and Lady Catherine de Bourgh´s old fashioned robe à la Francaise.